Established in 1996, the Aurora Ensemble is a traditional
wind quintet which also expands to work with piano, or to explore the repertoire
for wind octet. All of its players are successful freelance musicians, working
regularly with some of the country's leading orchestras and chamber ensembles.
Prizewinners at the European chamber music competition Musique
d'Ensemble held at the Paris Conservatoire in 2001, the Aurora Ensemble has
performed in many major venues and festivals including the Purcell Room &
Wigmore Hall (for the Park Lane Group), Manchester's Bridgewater Hall, Cardiff's
St. David's Hall and the Warwick, Thaxted, Ryedale and Petworth Festivals. It
has broadcast on ORS Television (Austria) & BBC Radio 3 for the Young Artists'
Forum and was selected as one of the featured ensembles in Making Music's
Concert Promoters' Network brochure for the 2005-2006 season.
In 2002 the ensemble recorded its debut CD, which included the first CD
recording of Marin Goleminov's Wind Quintet No.2 and the world premičre
recording of Ronan Guilfoyle's Groove Merchants. With funding from the
Arts Council of Ireland, the Auroras commissioned a new work from Ronan, which
they premiered at the Warwick Festival in June 2004. Their second CD, Humoreske,
was released in 2006, featuring works by Zemlinsky, Mozart, Malcolm Arnold and
Grainger. Also included was music by television and film composer Jim Parker,
and as a result Jim wrote a new piece for the Auroras entitled Boulevard, which
they premičred in November 2006.
Sounds Exciting (Patron Neil Black OBE) is the ensemble's own education
project, which runs in conjunction with their recital work. Former projects
include a children's concert with narration from ex-Blue Peter presenter Janet
Ellis, and the commissioning of artwork from the illustrator Caroline Glicksman
to use in their children's concerts. The ensemble directs its own course at
Hawkwood College, Gloucestershire every Easter, and has also had extensive
experience at performing in hospitals, schools & centres for people with
disabilities and residential homes for the elderly, through the late Yehudi
Menuhin's Live Music Now! scheme.
Maxine Willis flute
A wind finalist in the BBC’s Young Musician of the Year competition, Maxine
read English at Brasenose College Oxford, followed by two years of postgraduate
study at the Royal College of Music having received an award from the Countess
of Munster Musical trust. She has given recitals at St James Piccadilly, Union
Chapel Islington, and the October Gallery WC1, and performed concertos both in
England and France. Maxine plays with Welsh National Opera and Kokoro
(contemporary ensemble of the Bournemouth Symphony Orchestra) and has appeared
with Bournemouth Symphony Orchestra and the BBC Philharmonic. Maxine is the
ensemble's resident sci-fi geek.
Gwenllian Davies oboe
Gwenllian comes from Pembrokeshire and now lives in Chertsey, Surrey. She is
a busy freelance oboist, playing with the BBC Concert Orchestra, Chamber
Orchestra of Wales, Opera Theatre Company Ireland and several West End Shows
including Mary Poppins and Wicked. In her free time she enjoys reading Ian
Rankin, supporting Swansea City FC, tuning in to The Archers and ear drum
shattering loud rock music.
Andrew Mason clarinet
Andrew studied at the Royal College of Music as a Foundation Scholar with Colin
Bradbury, Janet Hilton, Robert Hill and Michael Harris, winning the Frederick
Thurston Clarinet Prize and the Roger Fallows Memorial Prize. He has performed
on Radio Three for the BBC Proms Composer Portrait series and in 2002 made his
Purcell Room debut for the Park Lane Group’s New Year series. In March 2003 he
made his debut at the Wigmore Hall. Andrew has played for the Royal Philharmonic
Orchestra, Northern Sinfonia, BBC Scottish Symphony Orchestra, Scottish Chamber
Orchestra and the London Chamber Orchestra. Whilst driving home from a
performance, Andrew is most likely to be singing loudly to rather cheap 80’s pop
music.
Helen Shillito horn
Helen studied at the Royal College of Music with Julian Baker, Tim Brown and
natural horn with Sue Dent winning the Arthur Somervell prize and Manns prize.
She also spent a semester at the Franz Liszt Academy of Music, Budapest,
studying with Adam Friedrich. As a chamber musician Helen enjoys playing with a
variety of groups including Alla Caccia (Hn,Vn,Pno), Vent (period wind octet)
and Fourier Ensemble (romantic wind quintet). Helen is currently 2nd Horn with
the Scottish Ballet Orchestra and has played with the Academy of St Martin in
the Fields, BBC Symphony Orchestra, City of London Sinfonia and Northern
Sinfonia. She especially enjoys playing natural and baroque horns with the
Gabrieli Consort, English Concert and the London Handel Orchestras. In her free
time Helen likes gardening or walking the Kent coast-line.
Constance Tanner bassoon
Connie has had the pleasure of working with the Auroras since 2002. She studied
at the Royal Academy of Music and has worked hard to gain a balanced freelance
career, combining orchestral, opera, chamber music, contemporary music and
education work. At the end of 2006 she bought her dream instrument, a pre-war
Heckel, fulfilling a lifetime’s ambition. Connie has appeared with The Royal
Philharmonic Orchestra, Bournemouth Symphony Orchestra, The Royal Liverpool
Philharmonic Orchestra, RTE National Symphony Orchestra of Ireland, Grange Park
Opera and Walker Dance Park Music (resident at the Royal Opera House) to name a
few. She regularly travels to her favourite country, India to coach and perform
with the Bombay Chamber Orchestra and Symphony Orchestra of India. When not
playing the bassoon, Connie can be found knitting quietly in a corner, wearing a
tiara.
The ensemble has its own website at
www.auroraensemble.com
The Aurora Ensemble are Appointed Artists to South East Music
Schemes 2007-2008
~~~
Click a thumbnail for a medium-resolution image. If you need any
high-resolution images, please contact us.
| Financial Times 8th January 2004
By David Murray |
The excellent Aurora Ensemble played Elliott Carter's
woodwind quintet (1948, more tonal than his later work but utterly
characteristic) with dazzling precision and infectious wit, Luciano Berio's
Ricorrenze -"Recurrences" likewise, and made each of the eight tiny
movements of György Kurtág's quintet a sharp study in character. These
players are a superb team, brilliantly accomplished, and I long to hear more
of them. ***** |
| The Times 8th January 2004
By Geoff Brown |
On Tuesday night flames flickered with the Aurora
Ensemble, a woodwind quintet, and not simply because four of their number
wore matching pink T-shirts. Out from mouths and fingers came immaculately
polished and blended sounds. The music they played had wit too — even,
heaven help us, the nourishment of melody. Where other performers chained
themselves to Boulez, Kurtág, or John Casken, the Auroras danced through the
jazzy syncopations of Carter’s 1948 Woodwind Quintet and the crazy
mirrors of Joe Cutler’s Verses and Choruses (not great music, but a
rousing end to the night). The sun also shone when the Auroras ventured into
pricklier realms with Kurtág’s early Wind Quintet and Berio’s playful
if over-long Ricorrenze. |
| Guardian |
... moments of real inspiration ... energy and enthusiasm
... an enthralling interpretation. |
| Independent on Sunday 11th
January 2004
By Anna Picard |
Matters improved in the second of Tuesday's showcases,
which was shared by The Aurora Ensemble, soprano Anna Dennis - whose
insouciant presence and gutsy high register outshone much of her material -
and her excellent accompanist John Reid. The Aurora Ensemble played Carter
and Kurtag's Wind Quintets with complete professionalism - tight, witty,
beautifully balanced and cleverly phrased - while Dennis and Reid's
performance of Kurtag's Requiem for the Beloved was voracious,
tender, blanched and desolate: qualities they also brought to the premiere
of Elena Langer's exquisite Late Autumn Lullaby 2. Another golden age in the
making? Quite possibly. |