SEMS Home About SEMS Open Selection Artist Profiles Promoter Info Book an Artist

Just East of Jazz - Info

 

 

On this page: Full Biography
  Image Gallery
  Press Cuttings

Full Biography

A dominant presence on the UK jazz scene, Just East of Jazz continues to captivate audiences with their intimate live performances. Under the leadership of Jeremy Shoham, and building on extensive touring and three highly-acclaimed albums, the band has developed an instinctive empathy on stage and an organic creativity in composition and arrangement.

The band was formed in 1993 by bandleader/saxophonist Jeremy Shoham out of a desire to integrate jazz and East European-influenced melodies and rhythms. His Jewish upbringing and his many years on the London jazz circuit (most notably seven years with Roland Perrin’s Evidence) provided the formative influences for the early compositions played by the band.

Over the years, Jeremy’s writing & arranging has been enhanced with contributions from the other band members. The idiosyncratic sound has moved on from the original concept – it’s not klezmer, but listeners will hear the yearning echo of the shtetl. It’s not Hungarian but it goes down a treat with goulash. In his compositions you’ll hear Shoham’s subconscious at work, drawing on his suburban teenage fascination with American jazz, and a performing career that has taken in Mecca ballrooms, Klezmer barmitzvah bands, and Balkan revivalists Dunav.

Just East of Jazz have performed all over Britain, with two major tours and gigs at over 70 venues and festivals. Their three CDs, Feast (2002), Swerve (1999) and Just East of Jazz (1996), have drawn an ecstatic response from the UK national and jazz press, and are played regularly on JazzFM and BBC radio.

The band line-up includes Neil Angilley on piano and accordion – his numerous credits include US3, Snowboy, Down to the bone, Vanessa-Mae and James Galway!

Regular collaborator Rick Finlay (percussion) currently plays in the London production of Blood Brothers, and has worked with Sinead O’Connor, Liane Carroll and Jacqui Dankworth.

Phil Scragg (bass) has worked recently with Sigi Finkel, The Beautiful South, Billy Jenkins, Sax Appeal and Incantation (his mysterious past includes a period with Robert Plant).

In the interests of “putting something back”, the band has led educational workshops on both their music and on the business of music for Jazz Services, Middlesex University and other organisations.

Just East Of Jazz have their own website at www.justeastofjazz.co.uk

Just East Of Jazz were Appointed Artists to South East Music Schemes 2004-2006

~~~

Image Gallery

Click a thumbnail for a medium-resolution image. If you need any high-resolution images, please contact us.

.

horizontal rule

 

Press Cuttings

JUST EAST OF JAZZ

THE SPIN, OXFORD.

Oxford Times

10th October 2003

Unusual to begin a review with the percussionist, but when Rick Finlay produced from his palette of instrumental colours, an African thumb piano (mbira), an Iraqi frame drum (doyra), an Egyptian tambourine (riq) and some basket shakers from Brazil (caxixi), to paint a scene of the noon-day heat in a Spanish city, he won my heart. Aided and abetted by Phil Scragg on bass and Neil Angilley on electric keyboards, these three created a wonderfully atmospheric piece that spoke of deserted, sun-bleached streets pregnant with the silence only hot climates can produce. Not only that, but just for once, the limelight-hugging saxophone was upstaged… a vastly entertaining, musically superb evening. Much of the credit…must go to Shoham's choice of band members. Angilley, Finlay and Scragg bring a warmth and accessibility to their music…Angilley is a dynamic player whose lush style particularly complements Shoham's sax… But perhaps the biggest surprise was the variety of tempo and style within the numbers – one number moved from Jewish dance, to a slow blues and the best of Angilley's jazz keyboard in minutes. Rather like a carousel ride at the fairground, this was an exhilarating evening that flew past, leaving us breathless and dizzy at the end. Excellent.

J. J. Marshall